Tim Miller and David Fincher’s edgy grownup animated anthology Love, Loss of life & Robots is again with quantity 3, child! Season 1 of the collection actually pushes the graphic nudity and excessive violence with 18 shorts which are fairly dang lengthy. Season 2, in contrast, is punchier and sharper, buying and selling in gratuitous tiddies in favor of extra poignant storytelling.
Season 3 follows within the footsteps of season 2, protecting the person shorts shorter and snappier. There are extra guts and gore than in season 2, although with out the extreme sexual violence from season 1. We like to see it!
True to previous Polygon custom, we’ve damaged down every of this season’s 9 shorts by the quantity of affection, dying, and robots they comprise, in addition to the overall enjoyment issue.
“Three Robots: Exit Methods”
The primary direct sequel in Love, Loss of life & Robots historical past — from the thoughts of acclaimed sci-fi novelist John Scalzi. The titular trio of droll droids return to take a whirlwind tour learning post-apocalyptic human survival methods earlier than mankind was lastly snuffed out.
Love: As soon as once more, these three robots are buddies who definitely share sturdy platonic love.
Loss of life: Varied human corpses the robots discover in more and more compromising positions. It’s fairly morbid, but in addition very humorous. The autumn of mankind is definitely comedic.
Robots: Proper there within the title.
Does it work? As a result of the joke behind the robots’ trip is identical because it was in season 1, the jokes on this “Three Robots” sequel aren’t as humorous as they have been the primary time. But it surely’s nonetheless oddly charming to see the robots tour the dilapidated stays of human civilization, making pointed jokes about how tech billionaires thought they might survive the apocalypse with none survival abilities. The kicker on the finish of this one is principally the identical because the one within the first brief, however in some way extra hilarious.
A shark-hunting crusing vessel is attacked by a large crustacean whose dimension and intelligence is matched solely by its urge for food. Mutiny, betrayal, and ventriloquism with a corpse… welcome aboard the animation directing debut of David Fincher.
Love: There isn’t a lot love amongst crewmates — definitely the person who proclaims himself chief doesn’t agree together with his crew’s ethical choices. However the crustacean creature apparently loves human flesh.
Loss of life: Masses! Gotta hold the creature fed, in spite of everything. The physique rely on this one is brutal, although lots of the precise flesh-eating occurs off display.
Robots: None in any respect! This brief undoubtedly leans on Age of Sail expertise, despite the fact that it takes place on a distant planet. It’s principally wheels, rigging, and sails as a substitute of good AI.
Does it work? Holding the story contained on the ship provides to the heightened suspense and suspicion. Who’s an ally and who’s an enemy? Who would reasonably unleash the creature onto 1000’s of harmless civilians, and who would sacrifice themselves to save lots of these individuals? It’s tense and eerie, resulting in a satisfying conclusion.
Really, it’s nearly like Amongst Us, if Amongst Us happened on a pirate ship on a distant planet and in addition concerned a human-devouring crab monster.
“The Very Pulse of the Machine”
When an exploratory expedition on the floor of the moon Io ends in catastrophe, an astronaut should trek to security, dragging the physique of her co-pilot, whereas utilizing doubtlessly mind-warping medication to cope with the ache of her personal accidents on this trippy tribute to comedian e-book legend Moebius.
Love: There’s some sense of camaraderie between the primary character, Martha, and her co-pilot on the very starting of the brief, however we don’t actually know what their relationship is like outdoors of labor. After which the co-pilot dies, so we don’t ever be taught extra.
Loss of life: Within the first moments, a disastrous accident leaves Martha as the one survivor. She drags her co-pilot’s physique alongside along with her so as to use their oxygen provide as she treks throughout Io attempting to contact their superiors. Does she make it? That’s up for debate.
Robots: Kinda? There’s one thing on the market on the barren moon that might be some kind of machine. Or it might be Martha hallucinating.
Does it work? “The Very Pulse of the Machine” is beautiful and evocative. Extra so than a lot of the different shorts, this one actually leans into its medium. As Martha treks throughout Io’s wasteland, she begins to see the panorama shift round her, rendering itself in spectacular colours and shapes. She retains listening to her misplaced co-pilot’s voice reciting poetry to her, which imbues much more thriller into Martha’s scenario. It’s a narrative of survival, one which builds as much as a deliciously ambiguous ending.
“Evening of the Mini Lifeless”
The apocalypse is conceived — actually — in a graveyard on this biting zombie satire, which begins with some cheeky cemetery intercourse and accelerates right into a strolling useless invasion of in every single place — from downtown LA to the Vatican. It’s the tip of the world as we gnaw it.
Love: As described, this brief begins off with a intercourse scene. You may’t actually see something, because the figures are proven in miniature, however you do hear some actually loud moaning and groaning, which feels particularly outsized in comparison with the tiny dimension of the characters.
Loss of life: The zombies homicide hundreds of thousands of individuals, so test that field! However the victims do flip into zombies, so perhaps it’s extra like Love, Undeath & Robots on this case?
Robots: Nope. It’s zombie time.
Does it work? It’s quirky and humorous, although it’s principally the plot of most zombie motion pictures — simply in a really quickly condensed timeframe with a chicken’s-eye view of all of it. A enjoyable, fast chew, however not tremendous substantial.
“Kill Staff Kill”
Younger, dumb and stuffed with… blood, tons and plenty of blood, a ’roid-raging, adrenaline-fueled drive of US troopers faces a foe not like any they’ve confronted earlier than, the results of a CIA experiment that will get actually fucking Grizzly. From the director of Kung Fu Panda 2.
Love: There’s definitely one thing like love between the group, although they present it by mercilessly making enjoyable of one another.
Loss of life: A complete lotta actually gory dying! The Particular Ops group discovers that the platoon they’re supposed to satisfy up with has been actually ripped to shreds, and it solely will get extra dire from there. It’s so over-the-top by way of guts and gore that it wraps again round to being hilarious.
Robots: The risk they face is a cybernetic grizzly bear, however additionally they group up with a cute li’l robotic pal.
Does it work? “Kill Staff Kill” opens with a shot of somebody taking a piss off a cliff high and leaking everywhere in the digital camera. In the event you don’t discover that humorous, you in all probability gained’t take pleasure in this brief. Nevertheless, if that kind of Grownup Swim-esque crude humor is your jam, then “Kill Staff Kill” is a gory good time, tremendous macho to the purpose of hilarious parody.
A narrative of worry, intercourse, and philosophy on the farthest frontier, as two post-human scientists research an apparently senseless insectoid race. Tim Miller writes and directs the first-ever display adaptation of the work from famend Cyberpunk creator Bruce Sterling.
Love: The 2 scientists find yourself bonding and have some trippy intercourse while within the hive of the swarm. Nothing says romance like making love in heat alien fluid!
Loss of life: Let’s simply say some fates are worse than dying.
Robots: The swarm is basically natural machines. The 2 scientists hope to review them so as to carry their effectivity to humanity.
Does it work? The plot is robust, the kind of brief story you learn in an anthology that haunts you for a while afterward. (Since Miller, as this collection’ producer, hand-picks sci-fi brief tales for the animators, that’s totally correct.) Seeing the alien world slowly shift from wondrous to routine to sinister is totally fascinating.
You realize you’ve got a pest-control drawback after they begin to shoot again. The ratpocalypse involves Scotland, as a grumpy farmer takes drastic steps to cope with an invasion of hyper-evolved rodents. Exterminator: Judgment Day.
Love: Effectively, the rats definitely look after each other. Mason is extra involved about with the ability to love his barn in peace, although.
Loss of life: The rat dying rely is excessive, and their deaths are brutal. Towards the tip, there’s a formidable mountain of rat corpses. Additionally, Mason’s cat will get caught up within the casualties. Press F for Susan.
Robots: A wide range of rat-killing robots that an extermination firm sells to Mason. They’re extremely environment friendly homicide machines.
Does it work? This one is an effective time. Certain, rats developed to have primary warfare capabilities and should battle some high-powered exterminator robots for his or her freedom. Why the hell not?
“In Vaulted Halls Entombed”
Deep within the mountains of Afghanistan, a squad of Particular Forces troopers has the harmful job of recovering a hostage held by terrorists. However the actual evil they need to confront is an elder god of historical and terrifying energy.
Love: One other scenario the place the love is extra an unstated bond between teammates. Not an entire lotta love this season.
Loss of life: One other scenario the place a group of troopers uncovers the gory our bodies of those that got here earlier than them, then slowly get picked off in more and more grotesque methods.
Robots: Probably not. Extra like eldritch horrors unleashed by elder gods, unseen by fashionable humanity.
Does it work? The parallels between “In Vaulted Halls Entombed” and “Kill Staff Kill” are fairly clear: Each contain troopers reckoning with violent forces past their understanding, which ends up in some gnarly deaths. “In Vaulted Halls Entombed” takes a extra severe strategy, nonetheless, leaning extra into horror as a substitute of humor. Each of the shorts work, however which one you favor actually is dependent upon whether or not you want your “mature, messed-up” tales crude or creepy.
Fantasy and greed mix on this re-imagining of the normal folktale of a siren whose tune lures males to their doom. However her sorcery fails to work on the deaf knight, Jibaro, and the Golden Girl turns into fascinated by him. Thus begins a lethal dance of two predators.
Love: Jibaro and the Golden Girl are caught in an odd, magnetic need. Not fairly love a lot as infatuation.
Loss of life: The Golden Girl manages to slay Jibaro’s complete squadron in fairly grotesque manners. As for the destiny of those two heroes? Let’s simply say their attraction is definitely poisonous.
Robots: Nope! This one opts for extra of a historic fantasy-tinged world versus a futuristic sci-fi setting. This season appears to be missing in robots, too.
Does it work? That is the one brief in season 3 of Love, Loss of life & Robots that wasn’t primarily based on a preexisting brief story. It additionally comprises principally no dialogue. Jibaro’s listening to squadron is killed off instantly, and he and the Golden Girl don’t change many phrases. It’s beautiful visible chaos, even when a few of that turns into so frenzied that it’s arduous to maintain monitor of all of it.
Love, Loss of life & Robots: Quantity 3 is out on Netflix now.
Artificial: Vik Information